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I am open for good conversation if you are interested, I'm looking for a good friend, but we never knows what may develop from friendships. why not, we will see what happens I love decent, honest, lo..Iranian Porn Movies - great website full of never seen before xxx videos available absolutely free!Eliot chron­i­cles the rise of the Hol­ly­wood film indus­try as a reac­tion to the gang­ster­ism of “the Trust,” the movie-making con­sor­tium estab­lished by sem­i­nal film­maker Thomas Edison. “Two of the endur­ingly pop­u­lar myths of the his­tory of Amer­i­can film are that Hol­ly­wood gave birth to the movies and that the industry’s pio­neers were Jews who had immi­grated from Europe. He felt they cheap­ened the sophis­ti­cated art of film by offer­ing ‘peep show’ films and other lurid diver­sions meant to sat­isfy the car­nal plea­sure of the workingman. “In 1910, Edi­son formed the first motion pic­ture alliance, which came to be known as the ‘Trust.’ Its pur­pose was to pro­tect the pub­lic (and his own finan­cial inter­ests) from the kind of immoral trash pro­duced by what he termed the ‘Jew­ish prof­i­teers,’ who not only ran the nick­elodeons but made their own movies to show in them. “The Trust was pub­licly ded­i­cated to the preser­va­tion of the industry’s moral integrity and pri­vately devoted to pro­tect­ing Edison’s prof­itable monop­oly.

The early dynam­ics of the film indus­try framed the polit­i­cal and cul­tural debate over the “moral­ity” of the movie indus­try that sur­vives to this day.

No friend of either Jews or the film indus­try, he con­sid­ered news­reels, shown in effect ‘free’ along with the fea­tures, a threat to his newspapers. “Hearst’s cam­paign received much sup­port in Con­gress, where the def­i­n­i­tion of movie moral­ity had expanded through the years to include not only sex­ual provo­ca­tion but polit­i­cal sub­ver­sion. What Hol­ly­wood got, as if on cue, was Walt Disney’s Steam­boat Willie, the per­fect non­sex­ual, apo­lit­i­cal movie star­ring a harm­less lit­tle talk­ing mouse who courted his sweet­heart by singing her a song.

Overnight, every major stu­dio in Hol­ly­wood that had for the bet­ter part of a decade turned out the kind of lurid, vio­lent, sex­u­ally, sug­ges­tive flesh­pot films guar­an­teed to put money in their banks, was now eager to align itself with not only the very pop­u­lar, but now sud­denly polit­i­cally cor­rect, film­maker.” (Idem.) 18.

(Walt Dis­ney: Hollywood’s Dark Prince; by Marc Eliot; Birch Lane Press; Copy­right 1993 [HC]; ISBN 1–55972-174-X.) 2.

Disney’s image as a paragon of whole­some, Chris­t­ian, “fam­ily” val­ues against the per­ceived world of immoral, sex­ual, “Jew­ish” Hol­ly­wood was estab­lished by the suc­cess of Mickey Mouse (orig­i­nally known as “Steam­boat Willie.”) 3. Among these com­pa­nies, the most pow­er­ful was the Wiz­ard of Menlo Park, Thomas Alva Edi­son, the head of the stu­dio that bore his name. “For more than a decade Edi­son had been the unchal­lenged pre­mier maker and dis­trib­u­tor of mostly eso­teric, non-narrative, silent motion pic­ture ‘stud­ies.’ Edi­son was greatly dis­turbed by the sud­den, sweep­ing pop­u­lar­ity of the new century’s first nov­elty, street-corner nick­elodeons, amuse­ment par­lors that first appeared on New York’s Lower East Side.

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